amy laviers thesis

Amy LaViers. In Partial Fulfillment of the Requirements for the Degree. Doctor of Philosophy in. Electrical and Computer Engineering. School of Electrical and Computer Engineering. Georgia Institute of ... This thesis adds a drop to the ocean of literature that grapples with how to automate robotic systems such that these
09.06.2014 -
Defense Advanced Research Projects Agency (DARPA) Young Faculty Award (YFA) (October 2015); Calvin Dodd MacCracken Senior Thesis Prize, School of Engineering and Applied Science, Princeton University (June 2009); Lyman Page Dance Award, Lewis Center for the Arts, Princeton University (June 2009); Morgan
Her thesis “Influence of Environmental Context on Affect Recognition of Stylized Movements” is in the books! ... Catie met lab director Amy LaViers at the Conference on Research on Choreographic Interfaces (CRCI) in March of 2017, organized by Sydney Skybetter, where common interests in consumer technology,
Dancing humanoids, robotic art installations, and music generated by mathematically precise methods are no longer science fiction; in fact they are the.
04.06.2009 -
Amy laviers thesis. 1998 2002: Assistant Professor, Department of Psychiatry and Behavioral Sciences, Emory University School of Medicine: 2002 2007: Associate Professor, Department of. 1998 2002: Assistant Professor, Department of Psychiatry and Behavioral Sciences, Emory University School of Medicine: 2002
Amy LaViers, PhD, Assistant Professor of Systems and Information Engineering. Your research in the Systems and ... My advisor at Princeton, Naomi Leonard, introduced me to Mangus Egerstedt at Georgia Tech, in whose lab I did some mocap experiments for my senior thesis. I joined his robotics lab for my PhD and that's
In my PhD thesis I developed a quantitative definition for style of motion that parameterizes many motion sequences that fit a high-level task -- aka a dancing robot. Extending this work, I've built a research group, the Robotics, Automation, and Dance (RAD) Lab, that works to understand how choreographic tools, processes,

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